 Reviews of silent film releases on home video. Copyright © 1999-2025 by Carl Bennett and the Silent Era Company. All Rights Reserved. |
Gow
the Head Hunter
(1928)
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Documentary producer Edward A. Salisbury headed a cinematic expedition into the south seas of the Pacific Ocean from October 1920 through February 1922. Aboard his sailing yacht utilized for the expedition, Salisbury had installed a small motion picture film processing laboratory. The footage that was shot by Thomas Middleton on that trip and that of a second expedition that started in September 1922 was later compiled into the Salisbury documentaries Black Shadows (1923) and the feature-length Gow the Head Hunter (1928), which was prepared for touring travelogue stage presentations with narration written by Salisbury and performed by William Peck.
The documentary footage of South Sea native peoples included in Gow the Head Hunter was taken on the Fiji Islands, the Andaman Islands (including footage shot by future producers Merian C. Cooper and Edward B. Schoedsack), in New Guinea, the New Hebrides, and the Solomon Islands. Some shots document individuals while others document cultural practices and daily life. The film’s appeal to silent era audiences is attributable to a combination of salacious shots of bare-breasted native women and some brief footage of body parts displayed openly in headhunter villages.
The closing section of the film leaps into a reenactment of reputed true events to tell a cinematic story that had been cooked up by Salisbury and other members of the expedition. The contrast between the staged documentary footage and the out-and-out fabricated drama is quite significant. The documentary footage is at times uncomfortable as the persons on-screen are obviously being coaxed to move in a particular way by the director off-screen, but much of it feels nonetheless to be a historical record. The dramatic reenactment, however, plays as if it were an amateur film which has little documentary credibility.
Gow the Head Hunter was reedited with a full-length recording of the narration by William Peck and rereleased as the sound film Gow the Killer (1931). Portions of two other 1929 Salisbury films, The Lost Empire (1929) and Captain Salisbury’s Ra-Mu (1929), were added to the Gow the Head Hunter footage to fill out this version. It is this silent-sound film hybrid version which was the basis of the exploitation rerelease version entitled Cannibal Island (1956).
The film, today, plays silently as straight-forward and often static documentary footage and as a sound film as a kitchy oddity. Gow the Head Hunter is not the film that other, better-known silent documentaries are — Salisbury may have been little more than a filmmaker wannabee. But, the film’s value lies in its fragments of irreplaceable historical and cultural documentation.
— Carl Bennett
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